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2018年5月20日GRE阅读机经网络版

2018-05-03 15:50:58 来源:新东方在线

  在GRE考试前夕,同学们重点复习的内容有哪些?如何能够做好考前冲刺?新东方在线GRE频道为大家整理了考前机经,希望对大家接下里的备考有一定的帮助!

【点击查看2018年5月20日GRE机经网络版汇总】

  when, in the twentieth century, the concept of the virtuoso-as-hero retired, as a replacement came the scholar-pianist, the mustcian-pianist, the re-creator of the composers' thoughts. With this change came the abdication of technique. Virtuosity in and of itsetf, indeed, became sometfiing of a dirty word.

  One of the important new figures, Plough she was a harpsichordist and not a pianist, was Wanda. Landowska, she was the one who demonstrated how Bach, Handel, Scarlet and Couperin sounded on the instrument for which their music was oiiginal^ conceived. It would be a mistake to consider Landowska a classicist, however. She had been bom in an age of romantic playing, an age dominated by the figures of Liszt, Leschetisky and their pupils. Thus she grew up with ceitain romantic baditions of p«ifoiTnance and whatever the stringency of her musical scholarship, for Landowska knew how to hold an audience breathless and when she gave a recital, it was to the accompaniment that all great artists receive deathlike silence and rapt attention.

  Her playing was romantic, but who is to say that it was not closer to Bach then the dry munching of some later harpsichordists? She had a miraculous equality of touch, witfi a left hand tfiat seemed to say the least, colorful. But r>o aitist in this generation (and, one is confident, in any generation) could clarify with such deftness the polyphonic writing of tfie baroque masters. And none could make the music so spring to life.

  Her secret was a lifetime of scholarship, plus p«ifect technical equipment and resilient rhythm, all combined witfi knowledge of just when not to hold the printed note sacrosanct Of course, that alone demands a lifetime of knowledge. She was a genius at underlining the dramatic and did have meaning and emotional significance. She took liberties, all kinds of liberties, but like all great aitists she could get away with them. In shoit, her entire musical approach was romantic: intensely personal, full of light and shade, never pedantic. Thanks to Landowska, Bach began to sound thick when played on the piano. One by one, pianists stopped playing Bach as adapted by Liszt, Bach as adapted by Tausig. Then they began to think twice before pei-forming any kind of baroque musk, including even Scarlatti. The piano repeitoire, it began to be fett, was extensive enough witfiout reverting to transcriptions and Bach and Scariatti on tfie piano were in a way, transcriptions no matter how ^rthfully the original notes were played.

  In line with this kind of purity came the emphasis on the back to nature study of the composers' manusciipts that has continued to tfie present, will continue and is something new in the scheme of things.

  路目: 1. Landowska的情况disprove 了嗓个选項?答案:演矣荠的好的演出技巧一定会compromise作曲家的本意

  2. 作希为什么捉 It would a mistake to consider Landowska a classicist? 答案:说明Landowska的作品不足没有emotion的

  3.Scarlatti有什么特点?

  答案:他的作品 composed for instruments other than pianos

  4.Larndowska 最有可能reject下面哪项:

  答案:用harosicord演矣piano的部分

  以上就是关于“2018年5月13日GRE阅读机经网络版 ”的内容,更多精彩内容,请关注GRE频道!

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